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Musician and MDVLA executive director Adam G. Holofcener’s new album GEE-ZA-WHIZ begins with a deep breath and a deeper exhalation
Yeh, Tesnau, and Lesser spoke with me about the importance of a robust local music industry, adapting during the pandemic, and deeply missing the visceral experience of live music.
Zeven Event Zcores for Zoom by Lee Walton, part of ‘sindikit’s Friday night performance series
Some of these records inevitably confront themes that are pertinent to our present circumstances and upheavals, some take the listener to places subterranean or extraterrestrial, and many others pull off an inventive combination of all the above.
During the performance at The Shed, her breath inflated and deflated white balloons, one after another, while her body remained mostly covered by the earth.
Though the feeling of being in a crowd at a show cannot be replicated, maybe reading the words and listening to the projects of these artists can bring you some semblance of that adrenaline and joy.
The experimental nature of this play is not simply for the sake of experiment but to highlight all of our assumptions that make us comfortable and therefore passive, forgetful, and complicit.
High Zero shows aren't just musically intense, they're also quite frequently outlandishly entertaining.
Being a part of a regional symphony orchestra for several years instilled Omnia Azar's love for classical music
While Reid’s part of Immortal Voices hints at the heavens, Pangelica’s deals with darkness.
Abdu Ali's nomadic curatorial platform as they lay includes sound and performance art, poetry, and more.
MAWU: TheEndisTheBeginningIstheEnd is an eight-hour durational performance that combines the history of Juneteenth with the legacy of Lucy Parsons, the revolutionary labor organizer who fought for the eight-hour workday.
Musicians who already survive precariously have lost gigs due to Covid-19 cancellations and have had to figure out how to hustle through a pandemic